Seeds of a Dream book mockup spread open

Seeds of a Dream.
The Magic Inside Me.

How do you illustrate a real woman's life — her roots, her grief, her doctorate — in a way a child can hold, feel, and carry forward?

Dr. Shanice Robinson
Illustrator, Visual Designer
Procreate, InDesign
3 Months to complete
31 Pages illustrated
1 Real life, told truly
Children it's written for
01 — Context

A real life,
made into a book.

Dr. Shanice Robinson is a professor, educator, and community changemaker who grew up on the streets of Richmond, California. She came to me with a vision: a children's book that told her real story directly to the young Black children who need to hear it most.

The book needed to do two things at once: be warm and accessible enough for a child to engage with. That tension was the design challenge from the very first page.

From the streets of Richmond to the halls of academia, Seeds of a Dream plants a message of hope, legacy, and power for every young Black child ready to bloom.

— Book back cover
Seeds of a Dream — first page
02 — The Story

Richmond to the podium.
Every chapter earned.

The book follows Dr. Shanice Robinson from childhood to her doctorate. It doesn't soften the hard parts. Friends lost to violence. The fragility of dreams in under-resourced communities. The loneliness of being the only one who looks like you in a room.

But it also holds the joy. Saturday hair braiding. The library. A mother who told her daughter education was a superpower. The book gives children a mirror, and gives them the proof that the path forward is real.

Cover
03 — Page Spreads

Thirty-one pages.
One unbroken thread.

Each spread pairs a full illustration with Dr. Robinson's words. The layout gives the illustration room to breathe.

Pages 2-3
Pages 4-5
Pages 6-7
Pages 8-9
Pages 10-11
Pages 12-13
Pages 14-15
Pages 16-17
Pages 18-19
Pages 20-21
Pages 22-23
Pages 24-25
Pages 26-27
Pages 28-29
Pages 30-31
Pages 32
04 — Reflection

What illustrating a real life
taught me about design.

01

Illustration is an act of trust

Dr. Robinson handed me her life. Every scene I drew was a version of her memory. That responsibility shaped every decision I made from character design onward.

02

Tone is the hardest thing to get right

The book sits between grief and joy, between a child's bedtime story and a community's survival. Finding a visual register was essential.

03

Character design is world-building

Dr. Shanice had to be recognisable as a six-year-old and as a professor. The character was a structural decision that held the whole book together.

04

Designing for children is designing for everyone

The constraints of a children's book made me a more precise illustrator. Every image had to communicate completely.